The Nominees
Little Brother by Cory Doctorow
The Graveyard Book by Neil Gaiman
Zoe’s Tale by John Scalzi
Anathem by Neal Stephenson
Saturn’s Children by Charles Stross
The Actual Results
- The Graveyard Book by Neil Gaiman
- Little Brother by Cory Doctorow
- Anathem by Neal Stephenson
- Saturn’s Children by Charles Stross
- Zoe’s Tale by John Scalzi
How I Would Have Voted
- No Award
- The Graveyard Book by Neil Gaiman
- Little Brother by Cory Doctorow
Explanation
I’ve found that Hugo Award winning / nominated books tend to fluctuate in decade-long waves, in terms of how much I enjoy them. Some decades are pretty good, others are just downright terrible. Generally speaking, the books from the 50s and early 60s were good if not great (though Dune is certainly a masterpiece), the late 70s had a couple of years with some hits and misses, and most of the books from the late 80s and early 90s were actually pretty good. But from the mid 60s through most of the 70s (and into the early 80s), the Hugos were generally garbage, mostly because of how they were saturated with radical feminism, Malthusian economics, and global cooling global warming climate change hysteria. Also, there were lots of communist “fellow travelers” writing during that era. After the mid 90s, it seems like the Hugos tried to become “dark and gritty,” just like comic books and epic fantasy. A lot of those old political trends from the 60s and 70s came back with a vengeance, and from the late 90s through the early 2010s, the books are really hit and miss for me.
The year 2009 was a complete and total miss, in my opinion. I didn’t like any of the books or authors that were nominated that year, though I will admit that I skipped all but two of them. I’ve written before about how much I cannot stand Scalzi as either an author or a human being, and after trying to read his Interdependency novels, I’ve just completely sworn him off. Zoe’s War is technically a sequel to Old Man’s War, which I enjoyed at the time, but after all of Scalzi’s shenanigans I have no desire to finish that series. As for Neal Stephenson and Charles Stross, everything I’ve read from them is so loaded with gratiutous sex, graphic violence, and sheer unadulterated nihilism that I’ve sworn them off as well. Dark and gritty is almost always overrated.
Moving on to Little Brother… how can I put this? The book is about a teenage hacker and his high school buddies who fight back against an insidious surveillance state, which seeks to control every aspect of its citizens’ lives. Great concept… except that if you went back in a time machine and brought Cory Doctorow from 2009 into a debate with Cory Doctorow today, one of two things would happen: 1) the debate would turn into a vicious cage match, from which only one of them would leave alive, or 2) the older Doctorow would say “but a police surveillance state isn’t bad if the Democrats are in charge,” to which the younger Doctorow would say “you make a very good point, sir,” and the two would leave as best of friends. Which is to say that Cory Doctorow is a massive hypocrite when it comes to the lucrative merger of Big Tech and the state, and I can’t tell if his hypocrisy goes back all the way to the Bush years, or whether the election of 2016 broke him. Either way, I just could not get into Little Brother because of how thoroughly he’s flip-flopped on his views.
(As a side note, I really would like to see someone train two large language models on Doctorow’s writings, one from everything pre-Trump, and the other from everything post-Trump. It would be fascinating to pit those two models against each other in a simulated debate, because of how thoroughly he’s flip-flopped. Also, it would be entertaining to watch the real Cory Doctorow’s reaction to this simulated debate, because he’s written extensively about how much he hates ChatGPT and generative AI.)
With all of that said, however, I didn’t think Little Brother was terrible, even though I couldn’t finish it. As with Scalzi, it had less to do with the book itself and more to do with my opinion of the author, which is why I’ve decided to rank it above the other books below No Award. But I put it below The Graveyard Book, because there wasn’t really anything political or offensive in that one; it just wasn’t for me. I can’t affirmatively vote for The Graveyard Book, because I didn’t enjoy it enough to finish it, but if it had been a different year, I simply would have abstained instead of putting it below No Award.
