Today, after I got through with my homework for tomorrow, I figured it was time to do my writing for the day, so I opened up the rough draft of Phoenix and picked up where I left off. I didn’t really feel much in the mood for writing, but forty five minutes later the library was closing and I was getting so into it that I didn’t want to stop.
Revising is one of the aspects of writing that I really enjoy. I hate prewriting–love coming up with the story, hate actually writing it out on paper–and writing the first draft, while it has its good points, is also quite a struggle for me. But give me a rough draft of a story that I can believe in, and I’ll have so much fun making that story work. When I revise, I really feel like I’m making progress–like I’m making something better. Maybe that’s what makes the inner critic in me so less caustic when I’m revising, because I don’t find myself saying “this is crap,” I find myself saying “gotta do this, and this, and this over here…” and when it’s all over, I just feel so productive and satisfied, it’s great.
I’m finding with this novel that cutting things out can actually make the story a lot stronger than putting new stuff in. I think I read something about this by Hemmingway once in high school, how the revising process involves cutting out everything that doesn’t work. I tend to be a discovery writer, so this makes a lot of sense. I prefer to write myself into a story, which means that most of the stuff that I write is more for my own benefit than it is for the reader. It’s like baby fat that naturally comes off as the story matures and grows under my hand.
I’m also finding that revision is an excellent opportunity to practice the “show, don’t tell” mantra. I’ve heard that most beginning writers (and a lot of experienced writers) really struggle with this–they tend to tell everything in an uninteresting, unengaging kind of way, instead of incorporating the information into the story so that it naturally flows with the setting and the action. Revising helps me to see just how much I tell instead of show, which not only gives me a chance to replace it with “showing,” but hopefully will help me as I write the first draft of my other story, Hero in Exile.
Connected with all this, I’m starting to realize the importance of giving specific, concrete, almost anecdotal sensory details about the things that the viewpoint character notices. This is something that I need to work on. When it comes down to Jungian types, I am sensing, not feeling, which means that I tend to miss sensory details because I spend so much time thinking about abstract theories and ideas. However, sensory details are important, both because they enrich the setting and because they effectively develop the viewpoint character.
I was browsing through Robert Charles Wilson’s book Spin the other day, and I was surprised to notice how often he did this. Every paragraph is full of the oddest sensory details, small things that the viewpoint character notices that really enrich the story. He doesn’t spend a lot of time on any given one–maybe just a passing sentence or a phrase–but they build up in such a way that really draws you into the world, and into the character’s life. You start to care about him in ways that you wouldn’t have before. It’s very interesting.
I feel like I made some very good progress today. Edited chapter three, which was about fifteen or twenty pages. There was definitely a lot that needed changing, but that’s not bad because now it’s so much better! And not only that, I think I can see that I’m gradually becoming a better writer. Revising is definitely my favorite part of writing.
