Why I don’t like George R.R. Martin

I was thinking today about George R.R. Martin’s A Game of Thrones and the fact that I’ve more or less given up on the series after reading the first book.  A lot of my friends are rabid-at-the-mouth crazy about it, both the books and the TV miniseries, but I’m just not all that into it.… Continue reading Why I don’t like George R.R. Martin

Y is for Yesteryear

They say that the golden age of science fiction is about twelve years old.  That’s definitely true for me. My first exposure to the genre was Star Wars: A New Hope.  I saw it when I was seven, right around the height of my dinosaur phase.  Everything about the movie completely blew me away, from… Continue reading Y is for Yesteryear

L is for Lost Colony

As we discussed in I is for Interstellar, space colonization is a major theme of science fiction, especially space opera.  Of course, things don’t always go smoothly.  Space is a really, really, really big place, and sometimes, due to war or famine or simple bureaucratic mismanagement, colonies get cut off from the rest of galactic… Continue reading L is for Lost Colony

Trope Tuesday: Wicked Cultured

This week’s Trope Tuesday series post is by request from a reader. Evil villains aren’t always grotesque, brutish, foaming-at-the-mouth barbarians.  Quite often, they are wealthy and aristocratic, with exquisitely refined tastes and an extraordinary degree of eloquence.  It isn’t just that evil is cool (though it may overlap with this), or that the barbarians have finally… Continue reading Trope Tuesday: Wicked Cultured

Trope Tuesday: Dreaming of Things to Come

When a character in a story has a dream, there’s almost certainly a reason for it.  If it’s not thrown in just to show how scarred or tortured he is (or alternately, how repressed he is), chances are good he’s dreaming of things to come. I’m a huge fan of this trope, as you may be… Continue reading Trope Tuesday: Dreaming of Things to Come

Trope Tuesday: Chess Motifs

Chess is quite possibly the oldest, deepest, most well known and widely played board game in the world.  It should come as no surprise, then, that it’s often used as a motif in works of fiction. The interesting thing is how well the pieces fit some of the classic character archetypes: The King is like… Continue reading Trope Tuesday: Chess Motifs

Thoughts after finishing Vortex by Robert Charles Wilson

Whoa. If I had to sum up my thoughts with one word, that would be it–though of course, by itself that word is hopelessly inadequate.  Let’s just say that, for me at least, this  was a truly astounding book, a literary journey that left me wide-eyed with my mouth hanging open, blinking wearily as I… Continue reading Thoughts after finishing Vortex by Robert Charles Wilson

Managing excitement and an idea for an epic fantasy novel

After getting about 40% through Star Wanderers 1.0, I hit a wall and decided to put the project on the back burner for now.  The beginning part, which I’m hoping to shop around as a novelette, has some issues with it and those are keeping me from making any real progress in the rest of… Continue reading Managing excitement and an idea for an epic fantasy novel

Guest post: Developing Characters in a Fantasy Setting

Nathan Major is a friend and fellow writing who, like me, has taken the epublishing route for his first novel, Paradise Seekers. I met him through our mutual friend Charlie at Brandon Sanderson’s English 318 class.  His book is pretty good; I’m only partway through it right now, but he’s playing with some interesting fantasy… Continue reading Guest post: Developing Characters in a Fantasy Setting

Thoughts on traditional vs. indie publishing

In case you didn’t know, the publishing industry is in the throes of a major revolution.  With the growing popularity of e-books and the collapse of distribution channels and chain bookstores such as Borders, traditional business models are proving simply untenable. I’ve been perusing several internet sources to make sense of all the craziness, among… Continue reading Thoughts on traditional vs. indie publishing