Joe Reviews: A Nefarious Plot by Steve Deace

Some books that address controversial issues try to appeal to a broad audience, building bridges and trying to persuade others onto their side. Others are written to a narrow audience, to galvanize the true believers and give them strength and clarity as to the rightness of their side. Neither approach is bad necessarily, but it’s good to know what you’re getting into beforehand so that you know what to expect.

A Nefarious Plot is basically what you get when you combine The Screwtape Letters with talk radio. Steve Deace’s politics lie somewhere to the right of Genghis Khan, and like Genghis’s son Ogedei, he doesn’t believe in picking his battles, but instead opts for fighting a constant, simultaneous offensive on all fronts. But hey, it worked for Ogedei, and it seems to work pretty well for this book too.

Bridge-building books can suffer from being too wishy washy and vague, while true-believing books can suffer from a narrow single-mindedness that weakens the central argument, giving rise to straw men and other fallacies. The single-mindedness is definitely here, and I’m sure that most leftists and progressives would take issue (and be horribly triggered) by how Deace portrays them, but I actually thought that his points were well argued.

The central argument of the book is that America is great because she is good, and if she ever ceases to be good (such as by abandoning the moral and religious principles that undergirded her founding), she will also cease to be great. The argument is presented by a devil named Nefarious, who gleefully recounts how he has gotten us to abandon and forget all of the moral and religious principles that made us good, and therefore great. Like The Screwtape Letters, the devil’s story is ultimately just a vehicle for the author’s argument, but where The Screwtape Letters focuses on personal morality and inward spirituality, A Nefarious Plot focuses on history, politics, and culture.

I was surprised at how dark the book got. Some of Nefarious’s asides were truly dripping with hatred and contempt—not the indescriminate kind that rages without any real focus, but the kind that is so singularly focused that it isn’t satisfied with the mere destruction of its object, but on inflicting the maximum amount of suffering, trauma, and… well, evil. There were a couple of sections that I almost had to skip because they were so dark, which isn’t usually something that happens with me. If I hadn’t had my hands full pruning the apple tree, I probably would have skipped them.

Overall, it’s a very powerful and well argued book. I wouldn’t recommend it to my Democrat parents, since I’m sure it would just put them on the defensive, but I would recommend it to my Republican in-laws. This book probably isn’t going to win any hearts and minds, but it makes enough interesting points and connections that it’s not just preaching to the choir either.

The Fourth Turning by William Strauss and Neil Howe

This is probably going to be the longest 3-star review that I’m ever going to write.

Don’t get me wrong. This is a very important book, perhaps one of the most important books of our time. Anyone who wants to understand why our world has gone so crazy and where we can expect things to go from here needs to read this book.

With that said, I found that this book falls frustratingly short. About 60% of the predictions are scarily accurate (for example, the authors predicted we would experience a “Great Devaluation” or major market crash in either 2002 or 2008; they were off by one year for the Dot Com crash, and right on the money for the Great Recession), but the other 40% of predictions are laughably wrong. The authors’ characterization of the last three generations is heavy on myth and stereotype and shallow in real understanding (for example, they characterize the proto-2A movement as a group of “hobbyists”). The ideas in this book are brilliant, but on close inspection, they appear to be half-baked.

The book’s central thesis is that “history shapes generations, and generations shape history.” In other words, the generational cycle is key to understanding our history and predicting the course of future events. This cycle, known by the ancients as the saeculum, consists of four turnings or seasons, each lasting about the length of a human generation. The saeculum itself is the length of a long human life, which means that we all can expect to experience each of these turnings in our lifetimes. Each turning creates a different generational archetype, and the constellation of these archetypes is what determines the course of events within the turning.

Using this theory, the authors trace the history of the modern era back through seven Anglo-American saeculae, starting with the end of the Hundred Years War and the War of the Roses up to the late 90s, when the book was originally published. However, the authors claim that history before this time was chaotic rather than cyclical, and thus did not produce a secular dynamic. This was the first red flag to me, since it smacks of dismissing data that does not fit the theory, rather than adjusting the theory to fit the data.

The main area where I believe the theory falls short is in how rigidly it defines the generational archetypes. For example, because the protestant reformation, the second great awakening, and the so-called “conscientiousness revolution” of the 60s hippy era were all dominated by the generational prophet archetype, the authors portray all of these eras as broadly equivalent. In doing this, I believe they overlook some of the most critical pathologies of the 60s and 70s, and the boomer generation.

Instead, the theory needs an additional dimension, or set of dimensions, to explain the variance between generational archetypes of different eras. For example, the boomer generation was much more materialistic than spiritual, and the GI generation was much more collectivistic than individualistic, whereas the same generational archetypes from previous saeculae (the transcendental and republican generations respectively) were exactly the reverse.

Another area in which the theory falls short is in explaining how societies occasionally fracture, or merge, and how this fits into the secular cycle. This phenomenon is implicitly acknowledged by the fact that the seven Anglo-American saeculae become completely US-centric after the revolutionary war. Clearly, the US and Great Britain branched off at some point in this secular history, but the authors never explicitly discuss this fact, or how it happened. Likewise, the last two saeculae have included a sizeable non-anglo immigrant contingent, and while the authors do acknowledge this fact, they don’t go into any depth about it.

What I noticed in reading their discussion of history was that when a society splits, the seeds of that split tend to be sown in an Awakening era, and when different societies merge, that process tend to have its roots in the Crisis era. This explains the difficulty in tracing any sort of secular cycle in English history and culture before the Hundred Years War, as before that time, medieval society was much more fragmented and localized. It’s not an accident that it took a multi-generational war to forge the English people into a single nation, and thus kick off the modern era. Likewise, it’s not an accident that the classical ancient era (which we can divide into saeculae) came to an end with the fragmentation and collapse of the Western Roman Empire.

In short, my greatest criticism of this book is that it seems to be describing a three-dimensional object in two-dimensional terms, the way a map tries to describe our spherical world. It gets a lot of things right, but it also suffers from distortions and inaccuracies, especially on the edges.

Generally, I found that the most pessimistic predictions of this book were the ones that proved most accurate, where the optimistic predictions fell furthest from the mark. That in itself is quite terrifying. According to the theory, we’ve already passed the climax of our current crisis era, but I still feel that we have a long way to go before we hit rock bottom, and am skeptical that the next secular high will begin anytime before 2030, if it comes at all. At this point, it seems much more likely that our society will permanently fragment, but of course I could be wrong.

Regardless, this is a tremendously important book that deserves careful study and scrutiny, despite what I perceive as its flaws. I would really like to see a book that builds on these ideas and incorporates them into a more expansive theory, as I described above.

Piper Reviews: Rhythm of War by Brandon Sanderson

Rhythm of War is the fourth book in the Stormlight Archive. Congratulations if you’ve made it this far! I won’t go into very much detail about plot, since this is a fourth book, but we do get point-of-view chapters from Navani, Kaladin, Adolin, Shalan, Venli, Dalinar, and some other more minor characters. My brother tells me someone described this book as a lot of fake science and a little bit of Die Hard. That seems pretty true.

My feelings about this book are very mixed. The first 500 pages were a real slog. It took me a couple weeks just to get that far. By contrast, the last 500 pages probably took me three or four days to read. When I told my dad – who hasn’t read the series – that it took me 500 pages to get into the book, he raised an eyebrow and said, “Any book that takes that long to get into just isn’t worth it.” And normally, I would agree. On the other hand, I’m in the middle of the series, and I still trust Brandon will make it worth my while.

But was this particular book worth my while? I’m not sure. The ending made me cry – in a good way, so obviously I was emotionally invested in the characters, but an awful lot of the book felt like a chore. However, some of the viewpoint characters actively annoyed me every time I got to their chapters. Other viewpoint characters I felt pretty bored with. There were only a couple who I was really interested in following. Also, everyone in this book is stuck inside their head — in a bad way. I spent a lot of time wanting to get out of the characters heads and on with the plot. Also, the fake science can be a real problem. Some of the tension in certain scenes is built on the fake science — will the fake science work fast enough to fix the problem? — but if you stop to think at all, you realize that you don’t know how to determine how close or far the characters are from failure or success. This can really break the tension.

Ultimately this was about a 4-star ending attached to a 3-star book. Or a 4-star book at the end of approximately three 3-star books, and I don’t think the 4-star ending pulled the whole thing up with it. I give this book 3-stars.

So, should you pick up Rhythm of War? If you’ve read the first three — obviously, yes! Are you seriously considering dropping the series for a few hundred slow pages?

If you haven’t started the series does Rhythm of War make or break the series. Nope. I still think the series as a whole is worth picking up. Although, ultimately the answer to this question can only be answered after the fifth book comes out.

But of course, don’t start with this book! Start with The Way of Kings – which was awesome! Or, if you’re not sure about Brandon Sanderson, yet. Try The Emperor’s Soul. Joe just put out a review of it. It’s a good representation of what Brandon’s fantasy is like, but it’s a stand alone, so you can read one and done without any strings attached and decide from there if you want to join his hordes of fans.

Endless by Ted S. Bushman (Metaphoris, February 2021)

Here’s another short story that I enjoyed. Endless by Ted S. Bushman is about a magical blacksmith who works to forge a transdimensional sword. It was a really cool idea, and the story was done really well, especially the ending. Really enjoyed it.

I’m subscribed to just about every science fiction short story podcast out there, but I find that I end up skipping most of the stories that they put out. Sometimes, it’s because of poor audio quality. Other times, it’s because I’m just too distracted and the story doesn’t grab me. One of the stories this week was a post-apocalyptic piece that was just too depressing (though it did give me an interesting idea: what if the old atheist chestnut “a loving God would never allow this” was turned on its head as evidence of God’s love, because our society has become too pathological and self-destructive to let it continue?).

But far too often, the stories read like the editors were more interested in checking as many boxes as possible on an intersectional checklist than in finding and publishing a good story. Which is not to say that there aren’t some good stories from diverse, minority authors. But frankly, there’s also a lot of crap, and a lot of it is getting through in the name of capital “D” Diversity.

A lot of minority readers complain that there’s a dearth of stories about people that look like them, or think like them, or identify with their particular culture. That’s a legitimate complaint, and I think it’s a good thing that the science fiction community is striving to better meet that need. But what about me? As a religious, conservative reader, I feel that there’s a very real dearth of stories about people like me—and yet, if I were to be more vocal about expressing this complaint, I’m sure that these people would decry me as being “privileged” or “racist” or a “white supremacist.” It sounds ridiculous, but it’s happened to me before. Many times.

Sometimes, I really do wonder why I bother when so many of the writers and editors in this genre are ideologically possessed. But then I come across a good story like this one, which has nothing to do with all of this nonsense, and I remember.

Cleaning up

I have made the executive decision to drop all but four of the books on my currently reading list, not because I don’t plan to read them, but because I need to finish these ones first before I can move on to the other ones. Specifically, I need to finish The Fourth Turning, which may be the most important book I read this year. I’m doing a really deep dive on it, underlining and making notes, which is why it’s been taking so long to finish it. But I think the end result will be worth it.

The other books I’m keeping on the list are The Way of Kings by Brandon Sanderson, Endowed with Power by C. Robert Line, and Gardens of the Moon by Steven Erikson. But of those three, the only one that I’m really actively reading right now is Gardens of the Moon. I’m about 60% done with The Way of Kings, and Kaladan’s story is such a downer that I need to put it on the back burner for a while. As for Endowed with Power, that book is more for Sunday reading, so I guess I’m still actively reading it, but only on Sundays.

Joe Reviews: The Folk of the Fringe by Orson Scott Card

Out of the thirteen books that I’ve read so far in 2021, this one is the first (and so far only) one that I’ve given five-stars.

I read this book just before the January 6th riots at the Capitol, where the lead-up to that event and the controversy surrounding the 2020 elections had acquired an apocalyptic feel. All of that really made the stories in this book stand out to me, because they all take place in a post-apocalyptic United States where the only subculture/community that survived intact through the collapse is the Latter-day Saints of the intermountain west.

The stories are very sparse on the details of the collapse itself. We only learn bits and pieces of what happened, for example that six nuclear weapons went off on the east coast, but that was the extent of the nuclear war. Also, we learn that there was an environmental collapse as well as a social one, but that the new western deserts are in the process of being reclaimed. The United States we know and love is dead beyond recovery, but there is still living memory of it, which helps to guide the rise of the society that will replace it. That new society, descended from our current one, is much more religiously orthodox than our current society, and Card masterfully portrays its strengths, its flaws, and its deepest yearnings, all from the perspective of those who don’t quite feel that they belong.

The first story, “West,” is definitely my favorite. I actually read it several years ago in a different anthology, while waiting on the train platform in Provo Utah at 4am (the only time when the eastbound California Zephyr passes through). I read it in an hour and was so completely engrossed in it that boarding the train was an inconvenience. When I finished it, I was literally weeping. Everything about that story felt so real, from the post-apocalyptic world itself to the characters themselves: ragtag survivors of an anti-Mormon pogrom all struggling to cross the wasteland and make it to the promised land, high in the Rocky Mountains. It was all so real, it almost felt prophetic, and yet the ending was so satisfying and uplifting that I couldn’t stop thinking about it for several days.

The other stories are all pretty good, but what really makes them stand out is the way they all tie together. Characters from one story appear in the next one in unexpected ways, sometimes finding the redemption that had previously eluded them, other times narrating events that happened to others. Taken together, these stories trace the arc of the new civilization that rises from the ashes of the old, and how it ultimately comes to orbit the new locus of power in the post-apocalyptic world.

Perhaps Card’s greatest strength as a writer is his ability to understand and skillfully portray all the complicated nuances of the relationships between his characters. It’s not just that he writes such interesting and believable characters, but that their relationships with each other feel so deep and so real. The story that shows this best is probably “Pageant Wagon,” though “West” was pretty good at it too. All of these stories are about individual people much more than they are about the world, the society, or anything else. And yet, because Card is so masterful at showing how these people relate to each other, the society, and the world at large, we cannot help but get those stories too, through the intimate and personal experiences of the people who live in them.

This book is really fantastic, and it is even more relevant in today’s crazy world than it was when it was originally published. Although most of the characters are Mormon, it isn’t exclusively written for that audience, and you don’t have to be a member of the Church of Jesus Christ of Latter-day Saints to appreciate or enjoy it. A resounding five stars.

The Folk of the Fringe by Orson Scott Card

The Folk of the Fringe by Orson Scott Card

Only a few nuclear weapons fell in America-the weapons that destroyed our nation were biological and, ultimately, cultural. But in the chaos, the famine, the plague, there exited a few pockets of order. The strongest of them was the state of Deseret, formed from the vestiges of Utah, Colorado, and Idaho. The climate has changed. The Great Salt Lake has filled up to prehistoric levels. But there, on the fringes, brave, hardworking pioneers are making the desert bloom again.

A civilization cannot be reclaimed by powerful organizations, or even by great men alone. It must be renewed by individual men and women, one by one, working together to make a community, a nation, a new America.

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About the Book
Details
Author: Orson Scott Card
Genres: FICTION, Science Fiction / Apocalyptic & Post-Apocalyptic, Science Fiction / Collections & Anthologies, Science Fiction / General
Publisher: Tor
Publication Year: 1985
Length: Collection
Narrator: Scott Brick, Stefan Rudnicki, Emily Janice Card, Orson Scott Card
Rating:

List Price: $9.40
eBook Price: $11.99
Audiobook Price: $12.56
Orson Scott Card

Orson Scott Card is the author of the novels Ender's Game, Ender's Shadow, and Speaker for the Dead, which are widely read by adults and younger readers, and are increasingly used in schools.

Besides these and other science fiction novels, Card writes contemporary fantasy (Magic Street, Enchantment, Lost Boys), biblical novels (Stone Tables, Rachel and Leah), the American frontier fantasy series The Tales of Alvin Maker (beginning with Seventh Son), poetry (An Open Book), and many plays and scripts.

Card was born in Washington and grew up in California, Arizona, and Utah. He served a mission for the LDS Church in Brazil in the early 1970s. Besides his writing, he teaches occasional classes and workshops and directs plays. He recently began a long-term position as a professor of writing and literature at Southern Virginia University.

Card currently lives in Greensboro, North Carolina, with his wife, Kristine Allen Card, and their youngest child, Zina Margaret.

Some of the links in the page above are "affiliate links." This means if you click on the link and purchase the item, I will receive an affiliate commission. You will not receive any additional charge. As an Amazon Associate I earn from qualifying purchases.

Joe Reviews: Archangel Down by C. Gockel

I really need to get a handle on the rapidly growing backlog of books to review, so I’m going to focus on books that I’ve read this year and catch up with the older ones as I go.

This book showed a lot of promise, and to be fair, it held my interest through to the end. It takes place in the far future, where humans have expanded to multiple star systems and technology has advanced to the point where everyone (or almost everyone) has zero-friction brain-to-computer interfaces, and super-high bandwidth networks that allow people to see and experience almost everything through anyone else’s eyes, so long as their privacy filters don’t block them. If you were to write a believable story where humanity evolves into a hive mind, this universe would be about midway between that and where we are now.

But on one of the frontier planets, a faction of religious fanatics has taken over the government, shut down all the networks, isolated themselves from the rest of the galaxy, and is doing everything they can to return humanity to a more natural state. Worse, though, they are throwing augmented humans and members of the resistance into brutal concentration camps, which is where this book begins. The main character is a fighter pilot in the galactic human fleet, but when she returns to her homeworld, she gets thrown into one of these concentration camps and has to break out. The whole story is about her trying to escape this nightmare, along with a band of friends that she meets along the way.

One of the things this book does well is to subvert expectations. For example, you would think that a government of fanatically religious fascists would be so evil, it would almost be a caricature of itself—and at times, it veers very close to that. But as the book progresses, you find out that they’re not exactly wrong. While the plot generally follows a linear progression, there were a couple of surprising twists that completely turned the main character’s perception of the situation on its head. There’s not much more I can say without giving spoilers, but I enjoyed that quite a lot.

However, by about the midway point, the writing began to feel a bit repetitive. Also, I never really bought into the love story, because the chemistry between the main character and her love interest was just way too over the top to be believable. I can appreciate that people tend to cling to each other in stressful situation, but something about the way the main character obsessed over this guy was just off.

Then again, that wasn’t the only other thing that was “off” about him, which was kind of the point of the book… except, it ended at the midway point without resolving any of the promises that were set up at the beginning. And that, by far, was the most frustrating thing. What is going on with the aliens? It’s obvious from the beginning that that’s why the religious fanatics are trying to destroy all the tech—and for similar reasons, it’s obvious from the beginning that the love interest is either an alien or possessed by aliens. And yet, we never find out exactly what’s going on with that. It’s like we only got half of a book.

I have no problem with authors who write long series where the first book is basically a hook to the rest of the series. But for that first book to feel satisfying enough that I want to read the rest of the series, it has to have an arc of its own, where the promises set up at the beginning are resolved. The hook has to lie in the way that the resolution of the first book changes things, not just stopping the book in the middle. It wasn’t even a cliffhanger, either! A cliffhanger would have actually been better!

So yeah, I’m giving this book three stars, not because it was “meh,” but because there was such a mixture of things I really liked and things that drove me crazy. In the end, it all averaged out in such a way that I’m not very likely to read the rest of the series. But perhaps your experience will be different, especially if you don’t mind unresolved endings like I do.

February 23rd Orem Library Trip

We went to the Orem Library again this week, and here is what I checked out:

The Big Short by Michael Lewis: I recently rewatched this movie for the 4th or 5th time, and thought I’d read the actual book. It is amazing (and a bit frightening) how this story is still so relevant, even more than a decade after the financial collapse. If anything, it is even more relevant, especially with r/wallstreetbets and the Gamestop rebellion.

The Death of Money by James Rickards: I’ve been following Jim Rickards off and on for a while now, and I think he has an uncanny understanding of our current financial system and how precarious it really is. Since it appears that the global pandemic is rapidly accelerating the collapse of that system—which was already in process before the SARS-COV-2 virus was unleashed upon the world—I’m extremely curious to see exactly how he thinks the endgame of our current monetary system is going to play out.

Abaddon’s Gate by James S.A. Corey: I checked this one out before, but had to return it before I finished it. It’s not a bad book, I just had a lot going on and wasn’t really feeling it at the time. Great series, but I’m taking it slow at the moment.

The other books in the picture I checked out earlier in the month, and hope to get to in the next few weeks. Realistically, I’ll probably have to return at least half of them unread, but I figure it’s a good thing to feel like I’m always drowning in books.

So here’s how I want to do this…

Finished a great book yesterday: Fortress Beta City by my friend JR Handley. It is now on my “to review” list, which makes it the twentieth book on that list. Yes, that is a problem.

See, I originally started this blog as a way to put up MyBookTable pages for books that I wanted to recommend to my author newsletter subscribers. I needed a separate blog in order to keep my own books (as in, books that I wrote) from the books that I recommend. Separate blogs, separate libraries.

But then I decided to also use the blog as a backup for my Goodreads reviews, after losing one too many reviews due to Goodreads shenanigans and a poor user interface. And so long as I’m cross-posting reviews, I might as well include a MyBookTable page in order to earn some affiliate income from it, right?

Trouble is, the only time that I allow myself to work on this blog is at night, after the baby is asleep. And putting a nine-month old to sleep can be exhausting. Also, if my other work isn’t done by then, it tends to bleed over. And then there’s time to decompress, maybe watch some YouTube, etc.

All of these problems can be solved with a better daily routine, which I’m perpetually currently working on. For now, that means getting into the habit of blogging daily, even if some of these posts are just filler until I can turn my mental focus away from establishing the habit and toward writing better quality posts—like actual reviews.

Eventually, I would like to not only share reviews on this site, but on the email list that I’m putting together to accompany this site. Every time I read a book that I’d like to recommend, I’ll write up a quick newsletter with the review, links to the MyBookTable pages (and affiliate links), and a list of recent blog posts that newsletter subscribers may find interesting. In this way, the newsletter will augment the blog, in a similar way to how social media augments blogs. Except the newsletter is a platform that I own, and social media ultimately ended up replacing blogs, not just augmenting them.

So that’s the plan, if it makes sense. Book blog –> book reviews –> book links –> 1001 parsecs books newsletter. Now I’m going to bed.